Stanislavski And The Actor: The Final Acting Lessons, 1935-38
Author: Benedetti, Jean
ISBN: 9781408106860
Publisher: Bloomsbury
Year first published: 05 Jan 2009
Pages: 176 Format: Paperback / softback
Stanislavski and the Actor offers a clear, modern presentation of Konstantin Stanislavski's methods of actor training and rehearsal. It is based on the course Stanislavski designed and taught with a team of hand-picked assistants in the last three years of his life (1935-38) at the Opera-Dramatic Studio in Moscow. Jean Benedetti now reconstructs that course. Stanislavski and the Actor is the manual Stanislavski never had time to write. Using notes made by Stanislavski's assistants, exercises and improvisations used in class, transcripts of Stanislavski's own master classes (translated into English for the first time) and his knowledge of Stanislavski's earlier writings, Benedetti builds up a comprehensive description of the 'system' in contemporary language that is easy for today's actors and teachers to understand. He also shows that Stanislavski's revolutionary teachings about acting continue to have a wide application.
ISBN: 9781408106860
Publisher: Bloomsbury
Year first published: 05 Jan 2009
Pages: 176 Format: Paperback / softback
Stanislavski and the Actor offers a clear, modern presentation of Konstantin Stanislavski's methods of actor training and rehearsal. It is based on the course Stanislavski designed and taught with a team of hand-picked assistants in the last three years of his life (1935-38) at the Opera-Dramatic Studio in Moscow. Jean Benedetti now reconstructs that course. Stanislavski and the Actor is the manual Stanislavski never had time to write. Using notes made by Stanislavski's assistants, exercises and improvisations used in class, transcripts of Stanislavski's own master classes (translated into English for the first time) and his knowledge of Stanislavski's earlier writings, Benedetti builds up a comprehensive description of the 'system' in contemporary language that is easy for today's actors and teachers to understand. He also shows that Stanislavski's revolutionary teachings about acting continue to have a wide application.
