Evil Flowers
Author: Gunnhild Øyehaug; Translated from the Norwegian by Kari Dickson
ISBN: 9781250321800
Publisher: St Martins Press
Year first published: 09 Jul 2024
Pages: 128
Format: Paperback / softback
In Evil Flowers, a precise but madcap collection of short stories, Gunnhild Øyehaug extracts the bizarre from the mundane and reveals the strange, startling brilliance of everyday life.
In her new collection, Øyehaug renovates the form again and again, confirming Lydia Davis’s observation that her "every story [is] a formal surprise, smart and droll." These tales converse with, contradict, and expand on one another; birds, slime eels, and wild beasts reappear, gnawing at the fringes. A fairly large part of a woman’s brain slips into the toilet bowl, removing her ability to remember or recognize species of birds (particularly problematic because she is an ornithologist). Medicinal leeches ingest information through fiberoptic cables, and a new museum sinks into the ground.
Inspired by Charles Baudelaire, a dreamer and romantic in the era of realism, Øyehaug revolts against the ordinary, reaching instead for the wonder to be found in fantasy and absurdity. Brimming with wit, ingenuity, and irrepressible joy, these stories mark another triumph from a dazzling international writer.
ISBN: 9781250321800
Publisher: St Martins Press
Year first published: 09 Jul 2024
Pages: 128
Format: Paperback / softback
In Evil Flowers, a precise but madcap collection of short stories, Gunnhild Øyehaug extracts the bizarre from the mundane and reveals the strange, startling brilliance of everyday life.
In her new collection, Øyehaug renovates the form again and again, confirming Lydia Davis’s observation that her "every story [is] a formal surprise, smart and droll." These tales converse with, contradict, and expand on one another; birds, slime eels, and wild beasts reappear, gnawing at the fringes. A fairly large part of a woman’s brain slips into the toilet bowl, removing her ability to remember or recognize species of birds (particularly problematic because she is an ornithologist). Medicinal leeches ingest information through fiberoptic cables, and a new museum sinks into the ground.
Inspired by Charles Baudelaire, a dreamer and romantic in the era of realism, Øyehaug revolts against the ordinary, reaching instead for the wonder to be found in fantasy and absurdity. Brimming with wit, ingenuity, and irrepressible joy, these stories mark another triumph from a dazzling international writer.
