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The art of The Faerie Queene
A Fig for Fortune by Anthony Copley
Spilling the beans
Sarah Kane in context
Algernon Charles Swinburne
Women poets of the English Civil War
Saramago's labyrinths
Narration in nineteenth-century French short fiction
La Mothe le Vayer
Theophile Gautier, Conteur Fantastique et Merveilleux
Mirbeau's Fictions
Writers in Conflict in Sixteenth-Century France
Moliere et Son Premier Tartuffe
Dissolute Characters
Robert Southwell
South African textual cultures
The Stukeley plays
Irish Literature Since 1990
Changing our Textual Minds
Charles Robert Maturin and the haunting of Irish romantic Fiction
Essex
Catholicism and children's literature in France
Chronicles of the Investiture Contest
Literature and Agency in English Fiction Reading
The annals of Lampert of Hersfeld
Spenserian allegory and Elizabethan biblical exegesis
Doing Kyd
Tales of magic, tales in print
The ends of Ireland
Limits of horror
A Moving Rhetoricke
Writing for Art
Charlotte Smith
The last taboo
French origins of English tragedy
Elizabeth Gaskell
Castles and colonists
Passing into the present
El castigo sin venganza
Roger II and the creation of the Kingdom of Sicily
Plays and performance texts by women 18801930
Samesex desire in early modern England, 15501735
Odoevsky's four pathways into modern fiction
Intertextuality in modern Arabic literature since 1967
Malherbe, Theophile de Viau and Saint-Amant
Candide en Dannemarc, ou l'optimisme des honnetes gens
Confabulationes tironum litterariorum (Cologne, 1525)
