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The Rape of the Masters
The 100 Day Project
Vanguardia
Art as worldmaking
Good Art, Bad Art
Contact
Art's Properties
Red
After Art
et al.
ART: Histories, Theories and Exceptions
A World History of Art
Medium Hot: Images in the Age of Heat
Modernist Aesthetics in Transition: Visual Culture of the Weimar Republic and Nazi Germany
I'm Not an Artist: Reclaiming Creativity in the Age of Infinite Content
Material Selves: Object Biographies and Identities in Motion
Queer Anatomies: Aesthetics and Desire in the Anatomical Image, 1700-1900
Viewing Velocities: Time in Contemporary Art
The Politics of Artists in War Zones: Art in Conflict
Mary Kelly's Concentric Pedagogy: Selected Writings
Images of Childhood: A Visual History From Stone to Screen
Images of Class: Operaismo, Autonomia and the Visual Arts (1962-1988)
Culture Strike: Art and Museums in an Age of Protest
The Trump Effect in Contemporary Art and Visual Culture: Populism, Politics, and Paranoia
Art and Psychoanalysis
Color Theory: A Critical Introduction
Old Mistresses: Women, Art and Ideology
Practice as Research: Approaches to Creative Arts Enquiry
The Communist Postscript
Adorno Reframed: Interpreting Key Thinkers for the Arts
Colour Theory for Artists
Composition
Tate: Brief Lessons in Seeing Differently
The Short Story of Art
A Little Book About Art
Fundamentals of Art History
All the King's Horses
Random Order
Richard Serra
Cuts
Sontag and Kael
Inconsistencies
Irrational Modernism
The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003
The Artwork Caught by the Tail
The Romantic Manifesto
Believing Is Seeing
Art, Annotated
